And sometimes, in between, something deeper is caught about the singular universes these females inhabit– the difference in social mores of wealthy partners in Atlanta and Miami, or the unique customizeds of those in New Jersey. In the programs vulnerable minutes– when its slick pandering to the Netflix audience falls away, and the Wives slip into the injured belligerence that comes so quickly to the rich– it inadvertently offers unequaled documentary insight into the nepotistic depths of the Hindi film market. The most telling accidental discoveries take place as the Wives frenetically prepare for a party hosted by the spouse of one of Indias greatest stars, Shah Rukh Khan. His spouse, Gauri Khan, isnt just a Wife; she administers over her own galaxy, orbited by the lesser Wives, who nervously titter and collect around her, basking in reflected splendor.
We follow a group of impeccably attired women as they go about managing their households and social lives. And in some cases, in between, something much deeper is captured about the singular universes these women live in– the difference in social mores of wealthy spouses in Atlanta and Miami, or the distinct customs of those in New Jersey.
” Bollywood Wives,” regrettably, does not have both the sly self-awareness of the “Real Housewives” franchise and the significant ruthlessness. Of the 4 Wives, three are wed to previous Hindi film stars, and one is a previous star herself, but all of these figures heydays have actually passed. It is their kids who are now being groomed for film professions, and the Wives want you to know that their top priorities are with their households– even if good mothering, in this universe, includes making your partner discover the waltz so that he can escort your child to her “coming out” at a Parisian debutante ball. The Wives hold unclear jobs creating jewelry or clothing, however these professions tend to languish in the background of an endless series of lunches. For the most part, we view them carry out some light cosplay of the second “Sex and the City” film: taking a whirlwind women journey to Doha and relaxing poolside in diaphanous caftans, or using Gucci to do volunteer work cleaning trash from a beach. The plot contrivances are low-stakes and laborious (in one the Wives pretend, unconvincingly, to have appointments about cosmetic work), and the subjects too pious, too sure of their own persecution and, frankly, too dull– even for me, an avowed curator of 1990s Hindi-film arcana.
In the shows unguarded minutes– when its slick pandering to the Netflix audience falls away, and the Wives slip into the injured belligerence that comes so quickly to the wealthy– it accidentally provides exceptional documentary insight into the nepotistic depths of the Hindi movie industry. It might be asking us to care about one Wife dealing with public scoffing at her childs Paris launching, however the real gag is her teenage childs self-confidence that he, too, will become a star in Hindi movies, despite having a questionable grasp of the language and speaking with a placeless, afflicted accent.
The most telling accidental revelations take place as the Wives frenetically prepare for a party hosted by the partner of one of Indias biggest stars, Shah Rukh Khan. His spouse, Gauri Khan, isnt simply a Wife; she presides over her own galaxy, orbited by the lower Wives, who nervously gather and titter around her, basking in shown glory. Too courteous to smirk at their sequined outfits however not courteous enough to let them pass unmentioned, Khan dryly laughes about feeling underdressed. With a placid smile, she sweetly says that if just she were “just a designer,” she d possibly, simply perhaps, have thought about taking part in a program like this. When asked about the 4 main Wives, she notes that she was a big fan of one “in the 80s” and, after a deadly tactical pause, explains another as “funny.”.